Duncan
stood beyond the faux-brass rail marking the line between him and them, glaring
at the numbers along the bottom of his most recently closed-out check. $173.00
sub-total. Ten-dollar tip. $183.00. Extravagant circular signature. $5.00 to
Raul and $7.00 to the new bartender (Tyler? Cody? What the fuck was the dude’s
name?), plus the eight percent tax. Duncan calculates in silence, outwardly
revealing nothing. It had just cost him to wait on those fucking people
“Hi,”
the man in the suit says, lips ranging around clenched teeth in an excruciating
smile. A skeleton wearing Armani
Exchange, the man’s head floats above the dark space of his loose-fitting
collar. The face gaunt, ashen, his extended hand hovers unsteadily, the held
contraction in the bicep faltering, the weight of the sleeve seemingly too much
to support for more than a few seconds. Fingers protrude from the cuff,
reaching from a sleeve dark as a well, digits extended like the pointing hand
of the Ghost of Christmas Future, the knuckles like shards of flesh too sharp
to squeeze.
The
suit lowers his arm, his greeting unreciprocated. “Dave. Dave Johnson. I’m the new assistant marketing
manager,” he says. He smiles, skin stretching, the hollows of his eyes darken,
his lips from pink to dusty rose.
“The
new what?” Duncan
says, turning his ear toward Dave, prompting him to repeat himself.
Where the fuck
is Rob?
Duncan scans the expansive dining room of The
House of Rock Stars Cafe.
“Today’s my first
day. I just thought I should…go around...and…” his voice trails off as he looks
over his own shoulder trying to track Duncan’s search.
Duncan spots the manager.
“Rob,” he yells, unheard under the deafening thump of AC/DC’s You Shook Me
All Night Long. Duncan brushes clumsily past chairs and around two
big-hairs staring in awe at a pink guitar once played by C.C. DeVille of
Poison. He skirts a couple wearing XXL replicas of the H-O-R-S-C t-shirt he
wears daily (red letters atop shadowy stallion logo), having their picture
taken in front of a display-case housing Elvis’s circa 1975 sunglasses and
enormous pants.
Rob stands, plate
of fries in his hand, directly in the path of the swinging doors leading to the
kitchen, a clear violation of unwritten restaurant law and basic common sense.
Food runners exiting the kitchen and bussers entering it swerve around him,
narrowly avoiding each other and the burns and scars that occur when a tray of
hot food goes airborne.
“Can I talk to
you?” Duncan
asks.
“Whadaya need?”
Rob asks, more interested in the cooling Frankenstein Fries. “Do you know where
Stevie B. is? He left these in the kitchen.” Then, angrily back into the
kitchen, “Does sixty-four have their fries?” Rob cranes to see that table
sixty-four does indeed have their fries.
“Who is that?” Duncan asks, pointing
with his thumb in Dave’s direction.
“Who is who?”
Rob follows the
invisible line from Duncan’s
thumb across the room to Dave’s skeletal face.
“That’s
Dave Johnson. He’s our new...”
“I
don’t understand what he’s doing here.”
“What’s
there for you to understand?”
“I
did everything I was supposed to do. I filled out the applications.” Duncan
holds up his index finger. “I gave you my resume.” Another finger. He tries to
remember the third thing. “This is bullshit.”
“If
you want to talk about it we can discuss it at a better time. You can make an
appointment.”
Duncan crosses his arms.
“No appointment. We discuss this now.” The disappointment of not getting the
job, coupled with the method of discovery, engulfs him in embarrassment; a mix
of emotions in Duncan dominated by anger. He suffers the familiar pang of
increased desire that comes only when he realizes he can’t have something; the
longing he didn’t know he’d had for the steady paycheck (even though during
busy weeks the servers make more money), the perceived jump in social status
from “server” to “manager,” the considerable decrease in face time with the
unwashed masses who are The Café’s staple patrons.
“Now’s not a good
time.” Rob pushes the heavy double doors into the kitchen, dumps the fries into
a garbage can then hands the plate to a busboy walking past.
The
pulse of the music is replaced by the clatter of dishes and shouts of the
expediter; “I need a burger, burnt! Two steaks, bloody. I need (counting to himself
as he scans the ticker-like printer spewing orders) one, two, three, (shouting)
four fries! Let’s go let’s go!” Three feet into the kitchen Rob stops, Duncan
at his heels. The doors swing continuously as waiters and busboys push
through.
“You said this
company hires from within. That you preferred it that way.”
“Duncan, listen. You’re a waiter.”
“It’s
been decided,” Rob says.
Waiters carrying
searing plates into the crowded dining room say, “’scuseme” as they pass
between Rob and Duncan, pushing the adversaries farther apart. Busboys, not
daring to interfere, lug loaded tubs around them, dishes heaped with animal
bones, caked with melted cheese products.
Duncan musters his courage.
Raising his voice. “What the fuck does that mean? Is this some sort of caste
system?”
Quit. Just
leave.
“Cast
what?”
Heads
turn in an expanding circle like a shockwave. Customers fascinated by the
conflict seek a voyeuristic thrill. Employees require details so they can
relate the story, however it unfolds, however they remember it, to the servers
on the dinner shift. There are no secrets in a restaurant
“Duncan. Listen.” Rob says, trying to regain
his managerial bearing. “You’re one of our better servers. Dave has a degree.
In marketing.”
“So
what?” Duncan
says, louder than he had expected. “Has he ever worked in a restaurant? I’ve worked here for over a year.”
“It’s
done,” Rob blasts out, his hands shooting upward. Mouths sit motionless as all
eating and talking stops. He combs the hair that had fallen into his eyes with
his fingers, up and across his forehead. “If something changes, we’ll
see.”
“Fuck
this,” Duncan
says. He smiles at his own bravado, adding up the cash in his pocket ($62.00),
the cash he has at home ($227.00) and the money in his checking account,
calculating how long it will last.
“What
did you say?”
“Is
English your first language? Fuck. This.” The hiss from the industrial fryer
permeates the kitchen as a dozen breaded chicken parts are tossed into boiling
oil.
“Fuck this,” he
says again, as if to himself.
“You’re
fired. Get out. And you better not even try to use this place as a ref.…”
Duncan grabs the swinging
doors, standing directly between them, a blatant violation of house rules, arms
extended like a defiant Samson about to topple the pillars of the Philistine
temple. The gesture fills him with a
liberation that will walk home with him and keep him awake until dawn. Stay
with him until noon, when
it will finally start to fade.
“You’re
fired,” Rob says again, almost meekly.
Duncan advances through the dining room,
heads turning rapidly from him to Rob disappearing behind the decreasing arc of
the closing kitchen doors. Untying the strings around his waist Duncan rips his
apron off, whipping it across the room toward the kitchen. It opens mid-flight,
flattening out like a blanket, six pens flying out of the pocket in every
direction; one hits a customer in the forehead, another lands in a mug of root beer.
“Congratulations,”
Duncan
says. He grabs Dave’s cold palm,
Dave’s bony hand like a broken bottle in a sandwich bag, before leaving, aware
of everyone staring at his back, judging him positively or negatively based on
how they feel about their own jobs, bosses, lives.
I’ll never see
any of these people again.
He passes
Liberace’s cape, a bloody rubber chicken in front of an Ozzy poster, and
autographed bras worn by The Bangles.
“Did
I do that?” Dave asks the bartender.
“Yes.
And no.”
Customers lean
across their tables in a seemingly choreographed instant, shouting over the
earsplitting music and the sudden explosion of voices.
“I don’t know what
to say,” Dave says.
“In
that case, my suggestion is be quiet,” the bartender replies as he continues to
cut lemons into wheels and limes into wedges.
Duncan doesn’t fall
asleep until nine the following night. By noon
his elation had begun to fade, the barely perceptible shift in mood starting an
avalanche of emotions beginning with doubt and tumbling into near hopelessness.
Midnight. Friday turning into
Saturday. Duncan’s phone rings. He reaches for the receiver, his hand hovering.
The machine picks up.
“Hey
D. If you’re there pick up. It’s Kim.”
He‘d debated with
himself how long it would be before she called. The best thing about internal
debates, he decided during one of his many pot-fueled inner dialogues over the
last twelve hours, was that you know you’ll always be at least half right.
“Are
you there?” Her question makes him nervous, as if she knows he’s home.
“Pick
up. Pickuppickuppickup.”
Did she drive by? Look
in his window and see the light from the television? Maybe she’s on her cell
phone. He wonders if he’s the only person in Chicago without caller ID, or a
cell phone.
“I guess you’re
not there. Obviously I heard about what happened yesterday. Fuck that prick. He’s
no manager. He used to work at some burger joint. The only reason he has this
job is because his cousin works at the corporate office. It was funny, after
you left, he had to take three tables…” Duncan grabs the brushed steel pipe
he’s had since eighth grade and takes a hit to maintain his rapidly diminishing
buzz, the resin burning delicately in his throat.
The answering
machine beeps, then silence.
The phone rings. Separating
the blinds with his fingers, he looks into the empty courtyard.
“Sorry. So they
called another server to come in and…”
He takes another
hit, her voice lost behind a deep inhalation and the subsequent thick gray
smoke.
“…Rob fucked up
the orders so bad they had to comp all three. Stevie B. said the look on the
idiot’s face was hysterical.” Duncan squeezes his thumb and middle finger into
the inside corners of his eyes. “…Rob got his ass chewed out.” She laughs, then
silence. “Anyway. You know, just because we don’t work together anymore, that
doesn’t mean we can’t, uh, you know, hang out…” He can hear her chewing; the
ever-present sugarless bubble gum that makes her breath smell like Pepto
Bismol. “…I almost forgot. I’ve got a
friend who used to work at this neighborhood place, Italia. No gift shop. You
might wanna call them. My friend said they were looking.”
The machine beeps
again and the room is silent. Duncan opens his eyes, the fading ghosts caused
by his pressed fingers swirling in small circles, black and white sparks firing
at the periphery of his vision, surprised to be the only person in the
too-bright room, the thought of another morning-after with her causing his head
to throb into the beginning stages of a headache. She’d made him breakfast in
bed the one and only time he’d made the mistake of staying the entire night;
pancakes, juice, syrup in a ceramic dispenser shaped like a cow, her mouth
already working the Pepto gum. He turns off the lamp and the phone rings.
“Sorry. Last
time.” Kim lets out a short laugh. “Actually I was thinking about quitting. I hate
that fucking place. All those stupid pins. All that happy-happy bullshit. Hey. Billy’s
band has a gig this weekend. That could be fun. Also…” her tone suddenly
apologetic, “if you haven’t, um, thrown away your pins, c-can I have them?” She
stops talking and he can hear regret in her silence. “Give me a call either way. Bye,” she says,
her voice growing faint. “Ummm, bye,” she says again before hanging up.
Duncan lies across the
couch, stretching to his full height, then lets his muscles relax slowly like
the settling of a crumpled piece of paper until he’s in a fetal position on his
side. His eyes close in stages, intentionally warding off sleep until he
succumbs.
Late
Monday morning Duncan walks to the coffee shop on the corner, newspaper in
hand, knowing the place will be empty. He doesn’t drink coffee, but he likes
the atmosphere, the stack of weeklies, old art magazines and discarded
newspapers piled near the counter, the radiator heat, so high during the past
winter months they kept the door open, the bench seat along the window where
college girls sharing studios in the neighborhood sit cross-legged and
pony-tailed every Sunday morning.
Duncan weaves between the small tables in the
thankfully empty café.
“Hot chocolate?”
Amy asks, from behind the counter, recognizing Duncan and his drink. He smiles politely, not showing his teeth,
nodding. “If you wanna sit down I’ll bring it to you.”
“Thanks.” He moves
to a table near the windows, pulls the employment section out of the paper and
scans the columns, skipping large sections dominated by ACCOUNTANTS,
BOOKKEEPING, COLLECTIONS What a shitty job. DATA ENTRY.
Under the guise of
doing errands yesterday he’d walked past the Rock Star Café. The line of people
waiting to get in on a Sunday afternoon snaked out the front door, blocked the
driveway into the parking lot, and curved around the corner. A stream of cars
waited for the valet who told them the lot was full. They protested, some
offered bribes
self-important
pricks
sitting in their
entry-level BMWs, Grand-Whatevers and the occasional Camaro driven by a 22
year-old suburbanite. He wished the place had been closed, dreamt it; boarded
windows covered in graffiti, newspapers and plastic bags tumbling by, sun-faded
FOR LEASE sign nailed crookedly to the door, all the result of his quitting. Didn’t
his leaving force some sort of corporate reevaluation, didn’t his departure,
his absence, disrupt anything?
“Here you go.” Amy
places the drink on the table, which isn’t much larger than the saucer and mug
it supports. Standing over him she asks, “job hunting?”
He nods. “Yeah.”
“It sucks.”
“I quit my job,”
he admits. Confession, he’d realized, was his way of drawing her in, if only
for a few minutes, especially if it’s only for a few minutes. “I hated
that fucking place.”
“What
are you looking for?”
Good
question. “I’m a waiter.”
“I’m sure you’ll
find something,” she says.
“Do
you wanna…sit down?”
Amy
glances nervously around the still empty café. “Sure.”
“When
I left I kept saying I quit, as if anyone there gives a shit.”
She
nods, “Mmhmm.”
“Why
are people always doing that?”
“Quitting their
jobs?”
“Making
declarations.”
She shakes her
head. “I don’t know.”
“As if any of it
makes a difference. It’s like we’re trying to say something that’ll change the
world…profoundly…causing...” the words out before he knows he’s said them, his
thought jumbled and incomplete. “Sorry.”
“For what?”
This is the most
they’ve ever said to each other. Duncan wants to keep talking, if for no other
reason than she was still listening
“What about this
place? You like working here?”
“It’s fine. The
owners are nice…” but as she talks her voice fades to a hum.
I quit. Get
out. Fuck you. Drop dead. The
shouted phrases of past arguments.
Her lips stop moving and he says, “I know what you
mean.”
“Most people don’t
even notice,” she says. The door opens and Amy nods toward the counter. He nods
knowingly. As the cappuccino maker hisses he folds the paper under his arm and
leaves four dollars on the table. Catching her eye as he stands, he waves. She
waves back. He leaves before another look can pass between them.
The key enters the
lock reluctantly, Duncan
jiggling then caressing the finicky tumblers in his apartment door, the
apartment on the left when you reach the first landing, the one with only the
base of a brass knocker, the hammer having long since disappeared.
His apartment is a
small rectangle made up of three smaller squares: the living/dining/bedroom,
the kitchen and the bathroom. He’d interpreted the feel of his place as just
above the level of White Collar Prison Cell. There was only one door (pilfered
EXIT sign taped above it) leading in or out. (This was a violation of Chicago’s
fire code and was, technically speaking, an “illegal” apartment.) Granted, he
had the key, and ironically, getting in was easier then getting out. But still,
only the one door. And only one real window, the one in the great room, as he
liked to call it when introducing his apartment to a new guest. The window in
the bathroom was bricked up, though they had left the frame, glass and all, on
the interior wall. The dim portal in the kitchen was barely bigger than a
medicine cabinet, and had been covered in two layers of thick steel mesh, as if
to keep out the world’s largest (and disproportionately strong) mosquitoes.
He opens his
checkbook for the fourth time in two days, calculating and recalculating. He
can pay May rent, due in two weeks, but June will be a problem if he doesn’t
get work soon.
He’d hoped to take
a week off to decompress, clean, maybe join a gym. Closing the checkbook he
takes two hits off the conveniently located pipe. “I should clean.”
Pressing play on
the remote control he hears nothing, then the muffled sound of a heartbeat
eventually joined by the ringing of a cash register and finally the screams
leading into the guitar, bass and drums of the opening cut on Pink Floyd’s Dark
Side of the Moon. Duncan
spends the next three hours putting all his CDs in the proper cases, stopping
frequently to smoke, read liner notes and lyrics, lie back and stare at the
ceiling. He places them on the rack in alphabetical order by artist, then
chronologically within bands; Dark Side (1973) to the left of The
Wall (1979).
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