Tuesday, June 24, 2014

Chapter 3: Reunion


            Duncan wipes the water spots from the serrated blades of butter knives, still a little stoned from the half joint he’d smoked three hours before leaving for work. George silently polishes forks. Across the room Kilee, angry, but, Duncan had learned, not gay, polishes wine glasses. Alicia, she had introduced herself with a tiny curtsy as “hostess extraordinaire,” checks the reservation book. Restaurant time is drawn out, like the difference between dog years and human years. After six months of waiting tables, it feels like five years. After a year it’s as if you were born there.
            By the beginning of Duncan's second month he understands too well the difference between feeling welcome and feeling like he belongs. A sense of foreboding rises in him every time Mr. Bonini speaks to him. “Please,” he insists.  “Call me Alfredo.” Glenn said Alfredo had borrowed the money to open the restaurant from associates. That had been Glenn’s word, associates, accompanied by the marking of quotations in the air. 
Alicia seats a deuce at table fifty-three in the corner of the empty smoking section, the fabric of her black slacks stretching tightly over the top of her ass as she bends over to lay down menus, her hair sliding across her shoulder. "Enjoy your meal," she says.  She spots Duncan watching her. Holding up two fingers, she nods towards the table.
            "She's totally hot," George says in Duncan’s ear, blatantly watching the hostess. “Is it me, or does she seem to always walk in slow motion?”
“It’s just you,” Duncan says.
"You could fuck her," George adds.
            "I don't fuck people I work with."
            "That's dumb."
            “Have you ever slept with someone you work with?" Duncan asks.  George nods. "Has it ever worked out?"
            “I hadn’t planned on marrying them.”
            Duncan approaches table fifty-three in full waiter mode.
"How are you folks doing this evening?" 
            "I don't know,” the man says loudly. “We haven't had any time to look at the menu."
            Go fuck yourself, Duncan thinks. "I'm sorry, perhaps you misunderstood my question," he says, his expression unchanged, his thoughts unreadable.
            "Fine," the man says without lifting his face. 
Like most of Duncan’s customers the woman’s face is little more than a smile, eyes, hair.
She nods a polite greeting.
"Well. I'll just give you a few minutes to look things over." 
The woman's eyes slowly let go of Duncan’s, like a hand loosening its grip, fingertips lingering in each other’s palms. Her companion’s eyes move rapidly, searching the pages of the menu, but absorb nothing. 
             Pretending to punch an order into the computer, Duncan tells Kilee, “Don’t be obvious, but check out fifty three.”
            “What about them?”
            “She’s my ex-girlfriend.”
            "Who are you guys staring at?" George asks, waiting to print a check.
            "Table fifty-three," Duncan says. "Don't make it obvious."
            "Who cares? What? Are they fighting?"
            "Yeah." Duncan says.
            "And she’s Duncan’s ex," Kilee says.
            “That’s not Tammy,” George says, looking at Duncan sideways.
            “It’s Jennifer. Two exes ago.”
“She’s pretty,” Kilee says, unable to keep a touch of envy out of her voice.  
“She’s hot,” George says.
"She is," Duncan says. 
            The couple talks, though they don't look at each other. The man's hands clutch the menu, vibrating with every bob of his head. Jennifer nods mechanically, dismissively, lips pressed tightly together. Duncan can read her thoughts; she’s waiting for the right moment, then she’ll say something that will strike at his deepest insecurity. When Duncan had first met her she’d playfully warned him, saying she had ‘eviscerated’ and ‘emasculated’ ex-lovers who had crossed her, though she never went into specifics. They’d been at a bar one night and a man had offered to buy her a drink while Duncan was in the bathroom. Duncan returned in time to see him slink away. When he asked her what had happened all she said was she had sent him back the shallow end of the pool where he belonged. 
            Re-approaching the table Duncan asks, "Do you folks have any questions about the menu? Or perhaps I can get you something from the bar?"
            "What I want..." the man begins, looking from his menu to Duncan so slowly the torque in his neck could pull a boxcar, "Is for you to go away until I'm ready to order." 
Jennifer says, "Just give us a second." She smiles at Duncan with her eyes, cheekbones, eyebrows and he remembers why he was attracted to her at first sight. She owns an arsenal of smiles, from disarming to devastating.
Duncan, rooted to the spot, smiles in return, the man watching the exchange, eyes moving from Duncan to Jennifer then back in swift, shuddering jumps. "What?" the man says so loudly and abruptly that Duncan recoils. "What the fuck are you looking at?"
            Uh…”
“A minute ago you wouldn't shut up, now you don't have anything to say," hands flat on the table, slowly rising.
            Everyone within earshot - three other couples and a woman sitting by herself - looks up.  Duncan slides his hand into his apron pocket and clutches his wine key. He flips it open and slides the corkscrew between his fingers, the coiled metal protruding like a talon, but doesn’t remove it from his pocket.
            Jennifer grabs the man’s arm, stopping him. He looks at her fiercely. She tilts her head, her gaze as unwavering as his, but without the hate. "Roger," she says. He sheds her hand from his forearm with a sweep of his opposite hand. "Why don't you fuck him, too?" he says calmly.
Roger looks Duncan up and down. “What are you gonna do?” Duncan doesn’t answer.   “Nothing,” Roger says, brushing past Duncan, careful not to touch him, then strides out of the restaurant.
            Duncan inhales - a long, silent breath. 
"You okay?"  George says, somehow now standing at Duncan’s side.
“Yeah.”
"What the fuck?" George asks, oblivious of Jennifer. 
"I'm cool."  
George returns to his table.
            "I'm really sorry about that," he says. "When I walked up I didn't realize...” She raises her hand to cut him off, and Duncan realizes how nice her nails look.
            "He's very jealous. Has been as long as I’ve known him."
            "How long is that?" 
“Three months.”
They slip into conversation, as if at a party, their time apart only a few days, though they haven’t seen each other in nearly a year.
            "That’s what I get."
            He stops himself from asking another question.
            “I’m sorry. I...don’t know what to say. Sounds like a long story. It’s none of my business.”
            “It’s fine. It’s what I get for fucking someone married.”
            Duncan pauses. "You haven't ordered anything. Did you want to go…”  He points at the door. “I don't want you to feel like you have to stay and order dinner."
            "Hell," she says. "I'm starving. Besides, he left his credit card." She points at the jacket draped over the back of the vacated chair.
            “Is he going to come back for that?”
            “No. He left it so he’ll have an excuse to come to my place.”
            She orders an appetizer, asparagus topped with shredded asiago and slices of roasted red pepper. For dinner, filet mignon over a porcini and red wine sauce. She admits knowing nothing about wine and asks him for a suggestion. He brings her a bottle of 1994 Barolo, one hundred and thirty dollars. Tiramisu, cappuccino and a snifter of cognac complete her meal, the cognac the only thing she finishes.
            He returns often, asking how everything is, refilling her wine glass, all under the pretense of fulfilling his professional obligation to keep her company. He asks repeatedly if he is bothering her. She says no the first two times, then, "If you’re bothering me, I'll let you know."
            When Duncan presents her with the check she asks about a couple seated nearby.  Duncan says, "Fourth date. They had sex for the first time last night. They just came from a play her roommate is in. Before the night is over they will declare themselves a couple."       
“You can tell all that just by looking at them?”
            “You pick up bits of conversation, gestures. You figure it out, you know?”
            “Are they almost finished with their dinner?”
            "Yeah. Why?"
            "Here." She hands him Roger’s Visa. "Put their dinner on this." 
            "Are you sure?" 
            She nods.
            "But don't tell them who paid. Tell them they were your millionth customer or something." Duncan runs the card twice, once for her meal, and once for the couple. They had ordered well, the total for both bills over four hundred dollars. He places both checks on Jennifer’s table, then tells the young couple their meal is on the house. They act embarrassed and vaguely proud. Duncan smiles, only with his lips, then returns to Jennifer.
            "You want to buy me a drink?" she asks. "You can afford it." With a lowering of her eyes she indicates the credit card receipts in his pouch. "What time do you leave?" He has one table left and they’re almost finished. 
            “Ten minutes?”
            "I'll meet you in the bar," she says, standing, grabbing Roger’s jacket off the back of the chair. “Better not forget this.”
Duncan watches George, whose eyes are fixed on Jennifer’s ass.
            "She's leaving?" George asks
            "Nope," Duncan says.  "She's waiting."
To her check she added a fifty-dollar tip. To the couple's check she added another fifty dollars. "Nice tip," George says, looking over Duncan's shoulder. 
            "Absolutely," Duncan says.
            "I don't mean the money."
            He rushes his final table out. “No coffee,” Duncan says, pretending it’s a question, shaking his head, hypnotizing them. They say no.

            They enter Duncan's studio apartment around midnight, Duncan pushing the door open, flinging his arm upward with exaggerated chivalry. "After you," he says. Jennifer nods graciously. The apartment is messy, though not dirty, a distinction Duncan is quick to make. To the left his unmade twin mattress rests upon a box spring, frameless, slouching in an alcove once used as a walk-in closet. The doors and hinges have been removed and the bed fits as though custom-made.
            She surveys the rooms, turning only her head. The futon sags under the window looking out over a small courtyard. White mini-blinds hang lethargic, yellowed by smoke and sunlight.  An old steamer trunk squats in front of the futon, doubling as storage and a coffee table topped with a half-eaten muffin stuck to the paper liner, a two-day old glass of milk and a remote control wrapped with a rubber band holding in the batteries, the cover lost long ago.
            The floor is littered with jeans, t-shirts, two white dress shirts with the Italia logo stitched on the breast pocket, magazines and two pairs of gym shoes. "You live alone?" she asks, teasing him about the clutter.
"It's kind of a mess," he says shrugging. "But I know where everything is. Would you like a tour?”
            A dozen strides and they are in the bathroom. It would be almost claustrophobic but for the too-bright bulb. A well-padded cushion tops the toilet. She opens the medicine cabinet without asking permission, or even bothering to look at him, and is visibly surprised, by its organization, and sparseness: bottle of hydrogen peroxide, tin of bandages, nail clippers, a disposable razor and a huge bottle of generic aspirin.
            “May I?” she asks, referring to her need to use the bathroom.
“You want a drink?" 
            “Water.”
Three times she tries to lock the door, and each time it pops open. "The lock doesn't work," Duncan calls from the living room. He enters the dark kitchen. The window over the sink frames a dumpster in the alley. From the small refrigerator he retrieves two empty water bottles, filling them from the tap and screwing the tops back on. 
            When she returns to the living room Duncan is sitting on the futon and the floor is cleared of all clothing, a conspicuous lump having appeared under the sheet on his bed. Two candles burn on the steamer trunk and Ray Charles' voice floats longingly from the stereo, "Just an ol’ sweet song…" he sings. “…keeps Georgia, on my mind.”
“Like magic,” she says. “You still listen to this stuff?”
“Why mess with what works?”
She sits an arm’s length from him at the front of the futon, her knees pressed properly together, her back straight, fingers linked on her lap.
             What’s up with that boyfriend, ex-boyfriend, whatever?  He thinks, but doesn’t ask.
“You wanna smoke?” he asks.
“A little. Sure.”
She relaxes into the over-soft futon as he retrieves a pot-filled sandwich baggy, rolling papers, and a plastic joint-rolling machine out of a small wooden box. 
“God. I haven’t seen you in months,” he says, loading the de-seeded dope (the tiny pods in a separate baggy) into the machine. He feeds it a rolling paper than rolls it until the paper is almost gone.
Hesitantly, a hint of embarrassment in her voice, she says, “Yeeeeaaaah. I’m sorry about that.”
“No big,” he says sincerely, then licks the adhesive strip of the rolling paper.
Neither of them had been surprised when the phone calls stopped.
Silently they pass the joint, inhaling deeply, waiting for the warmth of their high. “This is one thing we did well,” he says, smiling, his mouth unable to keep his anticipation secret. 
“It’s one of only two things we did well.”
“What was the other thing?” Though he knows the answer, he wants to hear her say it.  And he knows she wants to tell him. The smoke swirls around her head, between them.
“Fuck,” she says, quicker than he expected. She’d always made him wait for it, teased him for hours sometimes before giving in, then giving him more than he’d anticipated. She’d taught him that while he could be satisfied with conventional foreplay and sex, he had a taste for the more…exotic. Nothing violent or dangerous, just a little dirty talk. Not S & M, but a little S(lap) & T(ickle). Not handcuffs…but the tie from the bathrobe and the headboard. 
The smoke parts as they move toward each other and kiss. She crawls onto his lap and he unbuttons her blouse, revealing a black bra as he slides his hands up from the small of her back and unhooks it. It falls off her shoulders, stopping at her elbows, exposing her breasts, her arms bound to her sides. 
“Nice bra.”
“It’s new.”
            His hands guide her blouse then bra to the floor. She stands and tugs her skirt up along the front of her thighs, every movement deliberate. Black panties, not intended for him, slither down her legs, past her ankles, lace sliding over shiny black shoes, leaving them where she steps out of them.
The top button of Duncan's jeans unhooks with a quick snap of her fingers. He waits for her to look up into his eyes, to smile at him, to kiss him on the mouth again. Her eyes don’t leave his crotch as she lowers his zipper then slides his pants down along his thighs as he raises his hips, holding his boxers up so she will have one more layer to remove.
She slides his underwear down to where his pants lay crumpled next to her panties. She grabs his cock and slides along his thighs, skirt around her waist, cold patent leather against his knees. She lowers herself onto him, closes her eyes, sits without moving, her arms tight around his neck, resting her ear against the top of his head.
This had been their pattern. 
In almost everything they were of two different minds, but they were of the same sexual temperament.
            He opens his eyes, kisses her chin, pulls her head down to meet her mouth. She allows the kiss, leans back, every move seemingly choreographed, but completely improvised. Her jaw presses into his brow - and he leans into her as if trying to push through her, and wanting her to push back. He surveys the elements of her face, hoping she will look at him, into him, but also because he loves seeing her smile with her eyes closed. She lets him watch, because she likes being watched.
            Two hours later, after closing the door quietly behind her, neither of them promising anything, Duncan brushes his teeth, splashes water on his face, takes the longest piss he can remember ever taking. Entering the kitchen, he opens the refrigerator and removes a quart of orange juice, his favorite post-coital drink. 
Returning the pile of clothes to the floor he sits on the mattress. Next to the bed a stack of three milk crates function as a nightstand; magazines in the bottom crate (Rolling Stone, High Times, Sports Illustrated basketball preview), alarm clock in the top one. He retrieves a small hardbound journal from the middle carton, grabs a pen and begins writing, naked, cross-legged, careful not to spill the glass of juice.

Monday, June 16, 2014

WAITER RESPONSIBILITIES


ALL WAITERS ARE TO READ THIS AND SIGN AT THE BOTTOM

WAITER RESPONSIBILITIES

            *The main responsibility of all Italia employees is to make the customer happy.
            *Waiters are the integral part of the floor staff at Italia. They have the most amount of direct contact with the customers and generally have the largest influence over the customer's experience.
            *Waiting tables requires great organizational skills as well as communication and interpersonal skills. You must be ORGANIZED and FOCUSED.  You must be able to interact with customers at all times.  Your personality is just as important as your wait skills.
            *Be attentive to all of your customer's needs.  Whether they need more food, drinks, dessert or attention you should be there to provide it.  A customer should never have to look for a waiter.  If a customer who is not in your station asks you for something, get it or tell the server.  Never reply, "I'm not your waiter."
            *While all staffs (bar, bus, kitchen, wait) are all EQUALLY important, the wait-staff is what customers are most likely to remember.  So don't piss people off.
                                                                                                                                    -Alfredo  B.

Chapter 2: Same but Different

            The customer points at the food on his plate, his hand moving so quickly he nearly plunges his finger into the tuna. He points emphatically toward the kitchen, then follows with an accusatory finger toward Duncan, who flinches noticeably, fearing a stiff jab in the stomach.  The two women and the little girl seated with the man practically cower, leaning hard into the backs and corners of their chairs, eyes cast down. Duncan tries to interject, hands in the small of his back, right hand choking his left wrist, fingers turning white. 
            "Sir I . . . " 
            "Yes but . . . "
            "I know that . . . "
            "What can . . .?"
            A loud, “hello” floats across the dining room and Duncan is distracted by a glimpse of the little man with the big voice entering the restaurant. Duncan doesn’t dare turn away from the angry customer with the unsatisfactory fish. Though he has never met the owner, Duncan recognizes him from his picture in the back office where the restaurant’s lone manager, Glenn, had interviewed Duncan five days earlier. It’s a family portrait, the kind taken at “studios” in the back of Wal-Mart, or maybe Sears. In the soft-focus photo Alfredo Bonini’s happy round face smiles atop his round body, his hair thick and black as polish. Next to him, his wife looks like his twin sister; same frame, same smile, same thick black mess of hair. Two daughters stand in front, both younger versions of their parents.
A loud bang, fist against Formica, precedes the sound of glass shattering against Italian ceramic. Shards of wine glass sparkle in the expanding puddle of Chianti like razor-edged diamonds someone has used to slash their wrists.   
            Duncan hears syllables but few words. "…lous…" His ears feel clogged, the words muffled, like a voice through a pillow. "…stup…"The urge to utilize his newly found sense of self-respect is almost irrepressible. He wants to scream ‘fuck you’ in the man’s face, but two other words run through his head - June rent.
            Duncan looks to Glenn at the host stand but sees only the back of his head, hair graying in patches. Mr. Bonini approaches along the center aisle, smiling at the couple at table twenty-six, nodding a greeting to the three men sipping espresso on twenty-nine, eyeing the bottle of Barolo on thirty-one and smiling approvingly.
            Reaching table thirty-five he slides behind Duncan, still standing with his hands clasped behind his back. The customer's gaze shifts away and settles on Alfredo, who flashes Duncan a reassuring smile. 
"My name is Alfredo. What can I help you with?" the owner says, stepping forward, hands similarly behind his back; a submissive posture all restaurant employees and military personnel seem to fall into instinctively. Alfredo smiles at the couple’s daughter, the man’s wife, and the elderly woman who must be her mother. 
            "It's about fuckin' time I got to speak to someone around here who knows what the hell is going on." 
The smile melts from Alfredo's face, and Duncan takes one cautious and subtle step back.  Alfredo’s hands glide from his back to his sides then over his belly, fingers linking under the small triangle his thumbs make as they touch. "What, exactly, is the problem?" The man stands abruptly, hitting his chair with the back of his legs and sending it skidding into table thirty-six.  The man at thirty-six silently asks his wife for advice. She rewards his restraint with a smile.
            "This," the customer points at his plate, "is one of the worst meals I've ever had the displeasure of eating." Looming eight inches over Alfredo the man assumes the posture of someone who has used his height to intimidate,
            Alfredo, unfazed, scans the man's table. Duncan follows his eyes over a nearly empty bottle of inexpensive Chianti, the only wine glass shattered on the floor. The remains of a mostly-eaten tuna steak sit on the man’s plate. Alfredo eyes the man’s suit and Duncan reads the disgust in the lines of the owner’s face. The suit screams designer knock-off, a cotton-poly blend, the collar too narrow, buttons plastic. Two hundred dollars, max, and overpriced at that. 
            "What is wrong with it?" Alfredo struggles to keep what little patience he has left. 
            "What's wrong with it?” He looks around, stunned. “What's wrong with it?” the man repeats, incredulous. "The fuckin' thing's not even cooked." He points at the fish on his plate.  "It's still flopping.”
            "So this was awful, eh?"
            "Fuckin' A right."
            "I guess that’s why you ate most of it?" Alfredo nods toward the plate, three bites of tuna left of what Alfredo knows was once an admirably large piece of fish.
            "That's not the point," the man yells. "And this kid,” the man points at Duncan, "Where did you get him from, Burger King? If I owned this place he wouldn't work here, I can tell you that." As the man’s mouth moves Duncan think he can see rows of incisors, one in front of the other, layered into the back of the man’s throat, like a crossbred half human/half shark.
            "What are you saying? Because of...” Alfredo places his hands on his hips. He looks around the room as if hoping to find the words he is searching for written on a wall. "...A small misunderstanding, you think this young man should lose his job?" Alfredo points at Duncan, “That would make you feel better.” It is not a question.
            "That will work for starters." The man looks down at his plate. "And not having to pay for this." 
The owner takes a deep breath, his padded shoulder's rising under his tailored jacket, his chest expanding and his chin rising the tiniest degree.
            The customer raises his hand and extends his index finger to within inches of Alfredo’s face.  Alfredo watches the finger bobbing back and forth, dancing like a worm on a hook.
            Neither man hears what the other says as they talk in interweaved layers of volume. You better put your finger down...have your license revoked...acting like you own this place...you serve this shit to...insult my food and employees...I've been to every restaurant....        
            Alfredo looks up, into the man's eyes. The man stops moving. In a voice intense without being loud Alfredo breaks the silence. "If you don’t get your finger out of my face,” Alfredo nods toward the man's hand, never taking his eyes off the customer's eyes, "I'm gonna bite it off of your hand."
            The man slowly curls his extended finger back into his fist, then lowers his arm to his side, the threat of having it chewed off being more than enough to lower the man's voice, along with his temper and his hand.
            "You don’t want to pay for the food? Fiiiiiiiine,” Alfredo yells. He steps forward, wedging himself between the customer and the table. The customer stumbles backwards, bumping into the chair he had previously knocked behind him, and folds comically at the knees as he falls into the chair. Alfredo grabs the plate of tuna with his sausage-like fingers. He lunges, extending his short arms across the table, and grabs the wife's plate, spaghetti Carbonara half eaten, as she leans back to keep from getting elbowed in the mouth.
The grandmother’s lasagna gets smashed under the two other plates, sending marinara, along with other sauces, splattering onto the table, leaving dots of white, red and shades of pink sprinkled across the table cloth like paint dripped onto a canvas. Finally, he reaches for the plate in front of the little girl, a half-order of plain spaghetti. The girl looks up from under the edge of a wide-brimmed burgundy hat, round on top with a wide, pleated hatband. In her right hand she holds a fork almost as long as her arm.
            Alfredo curls his fingers around the rim of the girl's plate and smiles at her. He nods once, wordlessly asking for her permission to remove it. The girl's face lights up a split-second before the smile appears across it, her eyes brightening, cheeks blushing. Alfredo lifts the girl's plate and winks at her like a demented, beardless Santa Claus.
            Alfredo's face transforms from the smile the little girl sees to the scowl her father sees, as he towers above the still-seated man, like a teacher over the desk of a student.
            "You take your family, and you get out of my place!"
            The man opens his mouth, about to say something in protest. Alfredo slams the plates back onto the table, miraculously not breaking them. He shakes his head then opens his hand, his palm inches from the man's face. "I don’t wanna hear it. You come into my place,” Alfredo crosses his arms against his chest, "Insult my employees,” points at the smiling Duncan, "Then you don’t wanna pay for the food you ate? You get the hell out of here!" 
            Alfredo takes hold of the man's elbow, lifting him out of the chair. He escorts the man down the aisle between the tables, the man mumbling and protesting, Alfredo shooshing him at every complaint.
            The grandmother stares at the stained tablecloth where her plate of lasagna had sat, then looks at her daughter. The wife, frozen, watches Alfredo escort her husband out of the restaurant.  The little girl stands in her chair and watches the short man take her father out of the room. She smiles and Duncan can’t help himself, beaming behind a my-hero grin. They turn simultaneously to Duncan who stands with his hands in his pockets. He shrugs, smiles apologetically, then walks away, looking into the kitchen to see if the order for table thirty-three is ready.
            The women gather their coats quietly. They walk to the front of the restaurant attempting to be inconspicuous by avoiding eye contact, mother holding her daughter’s hand. The girl smiles at the customers she passes, hopping as her mother pulls her along. When they arrive at the front door Alicia smiles at them sincerely. "Have a good evening."  Glenn hides his face behind his hand.
            When they get to the door Alfredo is standing in the doorway like a protective butcher warding off a stray dog. The man yells from the curb, "You'll hear from my lawyer. I've never been treated this way in my life."
            Alfredo shakes his fist at the man, "You come back and you'll get it again. And then some." Alfredo steps politely aside. “I know people. I know…the mayor of Milwaukee.” The grandmother exits, followed by the wife, and lastly, the daughter. Alfredo smiles at the girl. She props her chin up strongly as she passes him, trying vainly to suppress a smile. Alfredo lets the door close slowly, the man's voice disappearing as the door shuts.

            Duncan exits the kitchen with a salad in one hand and a bowl of minestrone in the other, both for table thirty-three. As he passes thirty-five he spies a twenty-dollar bill folded amid the splatter of sauces and spilled wine. He places the soup and salad onto table thirty-three and asks the couple if they need anything else. They say no. 
            Hernando begins clearing thirty-five as Duncan reaches around the busboy and grabs the twenty dollars. “Did you see who put this here?”
            Hernando shakes his head.
            Duncan folds the bill in half and places it into his pocket. 
Kilee, who Duncan had internally classified her with the single word ‘angry’ upon first meeting her four days previous, pushes through the swinging door from the kitchen, a tray of food on her shoulder. 
"Welcome to it," she says without looking at him.